Writer, journalist, teacher

Author: The Editor (Page 11 of 13)

The Way

(Published in Storm at Galesburg and other Stories and Poems, September 2009, Cinnamon Press)

Heaving sounds, throaty coughs and barking dogs woke Alan. He realised they must be reinforcing the barricades. He stroked his unshaved chin. The canvas walls of the living space in the old army lorry, an Albion Clansman, were sticky. The cream blanket, pulled tight round his body, smelt of wood smoke. He got up and flicked on a Calor gas ring.

The red kettle soon hissed. The noticeboard was crammed: maps; eviction notice; emails of support from other travellers; potential escape routes. The chipped mug was hot in his hands as he sipped sweet Camp coffee.
On the carved Indian table there was a ring of small glass beads that his partner, Moira, had made for him before she had moved off with their two children. He wasn’t going to have them go through another eviction. The dream catcher his daughter had left for him was pinned to one of the lorry’s ceiling struts. Dangling strands of thread caressed his shoulder. He tucked the contraption away in a drawer. Above the bed his son’s brightly crayoned picture of a hairy traveller holding a placard proclaiming ‘No!’ made him laugh.
He switched on his laptop. Emails raced onto the screen. Squelching boot sounds in their encampment disturbed him.
‘Ooh, it’s Lady Muck, what’s she doing here?’ a male voice said.
He knew at once who it was. He pulled back the curtain at the other side of the lorry and gazed at the wide fields that stretched up towards the Ridgeway.
The storm of last night had abated. The early sun sent glassy yellow light across the stubbled earth. The harvest had been gathered in two weeks ago but the land retained the colour of burnt gold. He had looked out at this rather arid country each day for two years and never in his life had he loved a landscape so much. The ancient rocks and stones gave him strength. After twenty years on the road, he didn’t want to travel any more.
What the hell did she want? He brushed long hair away from his handsome face and opened the door. ‘Suppose you’d better come in.’
‘Then I shall.’
Someone shouted to him, ‘The police have blocked off two roads, one from Streatley, the other from Ashampstead.’
‘They’re trying to stop the photographers getting through,’ he said.
Her yellow Wellingtons were mud spattered and the green raincoat baggy. A Robin-Hood-style hat sported a pheasant feather. ‘I wanted to explain.’ Her eyes were bright, despite the wrinkles.
‘Bit late.’
She came in with a rush, all parts of her small body in motion. Her stick fell to the floor. He picked it up and handed it to her.
‘Irish Hawthorn, it was my husband’s favourite…’
‘You didn’t come to talk about sticks.’
‘No, well…’ She put the black stick across her lap.
‘There’s time for a coffee before the police arrive.’
‘Thank you.’
As the kettle burbled on the stove he peeked outside. A strange thing had happened during the time he had lived here: a small path of round stones had revealed themselves across Wilcox’s land, beginning at the lowest point, where the soil could be boggy, and reaching high towards the horizon in the west. On a few occasions he had seen a little track, almost luminous in its speckled whiteness. When he had gone to investigate, the path didn’t seem to cohere at all.
‘The kettle’s whistling,’ she said.
He handed her the coffee in the unchipped green dragon design cup. He passed her the bottle of milk.
‘You voted against us,’ he said bitterly, ‘we thought you were on our side.’
‘It was complicated.’ She took off her hat and stroked the feather. ‘It wasn’t really you, it was some of the others.’
‘What can you expect?’ he stirred his tea, ‘it’s like being a stretcher bearer at the end of a big battle. You get a lot of hangers on, losers, druggies.’
‘What’s the battle?’
‘This mad world is choking to death, the technological power of late-Capitalism…’
‘I never took you for a fanatic sort.’
He laughed in spite of himself. ‘It’s us who may be the norm soon. The rest of you won’t know how to survive.’
Bunches of dried herbs, in a variety of shades, hung from the ceiling. She shut her eyes. ‘Such a lovely smell, reminds me of my childhood.’
‘Moira grew them – why did you turn against us?’ He walked across to the window.
‘I was forced to.’
She stood by him. ‘It spoils the view, doesn’t it?’
A massive yellow combine harvester, a new Massey Ferguson, squatted in the corner of a field.
‘David Wilcox always likes to show off, his father was quite different, known locally as Basher Wilcox, had a half Blue in boxing, that was it, Oxford. He loved the land.’
‘So?’
‘Did you see the partridge?’ She pointed in a south-westerly direction, ‘that’s where my cottage is, I use it as a studio. I still live at The Paddock, that old Jacobean house up the hill.’
‘I won’t be living anywhere soon.’
‘I’m so sorry.’ She dropped her stick again. ‘I… life… my husband died recently, the house rattles – if you ever need boots, rainwear, all in the outhouse, I couldn’t face…’
‘Please.’ He picked up the stick.
‘I’m doing it again, putting my foot in it. You are about to be evicted, I know. I’m going to say one more thing to make you cross. How did you end up here, you seem, you’ll hate this, well born?’
‘ “Well-born!” – don’t have time to get philosophical with you.’
There was a shout outside. ‘You can’t go there!’
A tousle-haired young woman knocked at Alan’s door, ‘I’m from the Reading Mercury, I found a way through the police road blocks. There are more travellers coming.’ She pointed to a group scrambling over hedges.
‘Well done,’ he said, admiring her girl-guide enthusiasm.
A photographer stood at her side.
‘Get on the roof if you want to,’ Alan said, ‘it’s a good view from up there.’
Back inside the old lady was staring out of the window. ‘He wants to buy my cottage, you see, that’s the nub of it.’
‘What?’
‘It’s in the way of David Wilcox’s plans for his country sports centre.’
‘So?’
‘I refused, last month, well before the parish council meeting…’ Tears dripped down her cheeks.
He handed her a box of tissues.
‘I thought if I voted against you,’ she covered her eyes. ‘I’m a cowardly old woman.’ She pulled two spent 12 bore cartridges from her raincoat pocket, ‘that he would leave me alone.’
His mobile rang and one of his watchers on the local roads told him the police would be here in half an hour. He stood on the steps. ‘Get ready,’ he shouted.
He sat next to the old lady. ‘”Leave you alone?” What do you mean? Who?’
It all came out. For the past two years she had experienced much of David Wilcox’s charm, dinners at his house, and a visit to the Theatre Royal, Windsor. He plied her with arguments about how his country pursuits centre would be good for the community, and how ‘these gypsies are ruining the fabric of the village, we mustn’t cave in to woolly liberal thinking.’ There had also been silent phone calls in the night, and a dumper truck of pigs’ swill dropped on her front lawn.
The canvas roof dipped as the photographer took up position.
‘Be careful,’ Alan warned him.
‘So I thought we had an agreement,’ she continued, ‘I would vote against you – he said there had been rumours in the village of someone who had a vendetta against me – and he could put an end to it.’ An emerald ring glowed on her middle finger. ‘Then he would stop badgering me about selling my cottage. I have never known such things, Alan…’
She forced the cartridges into his hand. ‘Last night there were shots in my garden, the cartridges dumped on my front door step. The dogs yelped, I got up and sent the retrievers out. He, they, got away, but…’ She held up a piece of paper.
It was noisy outside and Alan went to investigate. People were organising themselves behind vehicles, picking up stones and lengths of wood. Two men were making Molotov cocktails. ‘We don’t want that!’ he screamed at them.
She stood by him. ‘I was once caught up in riots in Pakistan. This is kindergarten stuff. This bill,’ she thrust it into his hand, ‘someone must have dropped it, the dogs frightened them.’
‘What is it?’ He led her inside.
‘It’s for petrol from the garage David Wilcox uses for his farm vehicles, one of his men dropped it.’
‘You can’t be sure.’
‘On the back, look, “Just frighten her” in a rather uneducated hand.’
He read it. ‘That was silly of them. You must tell the police, it’s too late for us.’
‘I’m not going anywhere.’ She stood by the window. ‘I’ve been dreaming of the land.’
Police sirens wailed in the lane.
‘I shall speak to Wilcox, we’ll have an Extraordinary Meeting of the parish council, it’s not too late – and you could stay in my cottage, fair rent, I don’t want to use it any more, your family.’
There were two lines of police and behind them dogs with their handlers. The photographer stood to get a better view.
‘They’ve got the fucking press here!’ A policeman had forgotten to turn off his megaphone.
There were ironic jeers. The young journalist stood at the front of the barricade and asked if she could have an interview with the police. They ignored her as policeman and dogs clambered over the barricades. The travellers picked up their weapons.
Alan stood on the steps with a loudhailer. The old lady grabbed it and almost fell off the steps.
‘Listen to me.’ Even through the static her voice was clear. ‘Get the chief constable down here, tell him that Lady Touchard believes an injustice has been committed.’
Noise ceased. The dogs were pulled to attention.
‘There must be negotiations,’ she went on.
‘What the hell are you doing there, madam, Lady Touchit?’ a chief inspector asked.
‘I see you there, David, come out from under that tree and let’s talk. I think a solution may be found. I have something of yours that you may have left outside my house.’
‘Madam, this has nothing to do with you. Leave this site at once or be arrested,’ the senior policeman said.
‘I have no intention of leaving. I’m sure the press will report this matter fairly.’
There was a click as the policeman turned off his megaphone.
‘No one do anything.’ Alan stared at the group of anarchists. ‘Move away from the barricades. No violence. Nothing.’
Beneath the tree, David Wilcox was gesticulating at one of his farm workers. A few minutes later he walked across to the senior policeman.
‘Get on with it,’ one of the anarchists jeered, holding a Molotov cocktail above his head.
‘Put that down now!’ Alan raised his fist.
A blast of wind arrived from nowhere. The panting tongues of the police Alsatians flapped in the same direction like flags. Exhaust smoke from the police vehicles spun in the air. Policemen relaxed their grip on their shields but their eyes stared from behind the visors of their riot helmets.
The chief inspector’s megaphone crackled: ‘This is an unusual situation, Lady Touchard. After talking with Mr Wilcox and with the chief constable I am prepared to allow a discussion to take place between you, Mr Wilcox and Alan Wright, the travellers’ leader.’
There were loud cheers.
Lady Touchard stood on the steps of the army lorry with Alan. They scanned the travellers for signs of disorder. T he Molotov cocktails were on the ground, the rag fuses taken out. They went inside and arranged three chairs around the small table.
David Wilcox climbed over the barricade and walked towards them.

Tom Lee: Greenfly

(Published in The London Magazine, October/November 2008)

An Unsettled Calm

There is an effectively cold and unnerving tone to the author’s first published work. Most of the short stories focus on people who are living at the edge of a crisis: a couple waiting for a drug deal to be concluded; relationships that are almost over; and a woman who is secretly planning to cross a border into another country. These common themes are developed into well-structured and usually satisfying narratives by the verve and originality of their plots. We are rarely given a sense of the natural world, which increases a feeling of claustrophobia. Locations in Germany, America and South America broaden the range of interest.

The stories are sometimes bleakly humorous. Many are set in a contemporary world whose values are nihilistic. Even if characters have a conventional surface life, the weirdness of their thoughts or actions puts most of them in the oddball category. Cocaine, affairs, obsessions, and psychological collapse, break through the mask of the self.

The worlds of GreenfIy are eerily insubstantial because they feel so temporary, merely part of the storytelling devices of the author, without a sense of their own permanence. Descriptions of characters too are kept to a minimum and there is, deliberately, little exploration of the inner self. As Henry James might have said, nothing is solidly specified. The writer’s lightly-worn postmodernist awareness of the fictiveness of fiction usually works well. In ‘Mrs Echegary’, for example, the title seems to be a playful nod to William Trevor’s novel Mrs Eckdorf in 0’Neill’s Hotel. Mrs Echegary is waiting in her hotel room for her lover. Eventually she leaves, dissatisfied. Numerous vignettes are linked to the main narrative. The reader can never settle in one place, just as the characters never seem at peace in a stable world. These extra stories run the risk that the reader could lose emotional connection to Mrs Echegary. But we don’t. We care about her plight. The writer has pulled off a clever trick of drawing together the disjunctive nature of the text into a satisfying conclusion – a trademark of his style.

‘Cerology’ is brilliantly ambitious. The title itself is full of hints and clues, both medical and mythical. I suggest that the reader researches the word. A professor in the 1890s develops a frightening new field of science. The story is told through the diaries of his wife, which are given to his granddaughter, who is currently writing an article, ‘The Fantastic Vagina: Sigmund Freud and the Narratives of Edgar Allan Poe.’ The sub plot, about sexual positions, is a minor tour de force. The main plot depends upon the relationship between the professor and his daughter, but we have not gained enough insight into their emotional bond, and therefore the climax is not convincing.

Perhaps there is a warning here for the author: he should not become too absorbed in over elaborate textual games. A few of these narratives distance the reader by not developing a deeper sense of the characters, though most of the stories are fresh, strange and compelling. ‘Berlin’ shows the author at his best. GreenfIy is an accomplished debut.

Taking the rise

(Published in ROOF, the Shelter Magazine, July/August 2009)

In July 1975 I returned to London from a month of hitchhiking in Ireland. I was full of hippy dreams. Someone I met in Galway suggested I should live at Hornsey Rise, North London, which was reputed to be the largest squat in Europe. It was difficult to find accommodation in London and the political protest of squatting – doing something with the thousands of empty properties – was something I believed in. 

On a balmy evening the 14 bus dropped me at the foot of the Rise. Aromas of kebabs and peppers from the Greek restaurants tempted me but I headed up the hill to three blocks of flats – Welby House, Ritchie House and Goldie House.

At Welby House, two Alsatians, tethered to a post, barked and spat. Rubbish, washing machines, old clothes and abandoned cars were scattered around the yard. Banners hung over balconies. The slogans stuck in my mind: ‘Don’t Dump Rubbish!’; ‘Meeting about the Future in the Square Tomorrow’; ‘Stay Cosmic, Meditate’ and ‘Hornsey Rising. Yippee!’

I went up the litter-strewn stairs to my contact address. The flat had been boarded up. A man walked towards me. I’m Graham,’ he said in a broad Lancashire accent. ‘I’m like the local estate agent.’ It was getting dark and I told him I needed somewhere to live. He showed me a flat on that landing. I handed over £5 for the key. In the bedroom I put in the 100 watt bulb Graham had given me and unfolded the sleeping bag from my rucksack.

I went to buy a takeaway kebab and sat by the window enjoying the food. There were sounds of drums and laughter, of The Moody Blues and The Doors, of children playing in the square and people chatting through open windows. I hated the straight world. I drifted into sleep believing that something good was happening.

The next day I collected my Mini van from my mother’s house in Surrey. The following week was filled with preparations for the second year of a philosophy degree. In a nearby squatters’ cafe I picked up a lot of information as we drank coffee, ate wholesome cakes and played chess.

In the three blocks of flats there were about 400 people. Each block had its own loose structure. For example, Welby House had a ‘stash fund’, organised by Ernie, which was to help people out if they were having trouble with social security, or if they needed money for an emergency. People who came looking for a squat were informally vetted, so that anyone who appeared too unhinged would be discouraged. I joined an organic food group and each month we would buy in bulk and sell cheaply. There was a committee, of representatives from each house, who tried to liaise with the council, generate publicity, and make contact with other big squats in Europe.

The flats had been built in 1927 by the GLC on the site of a former orphanage. By the 1970s the flats had few council tenants left. They were squatted en masse in 1974. By the late 1970s, after the squatters had been evicted, the flats were again let. They are now owned by Islington Council and in 2008 planning permission was granted to upgrade all three blocks.

But in the 1970s there was a surprising mix of people living there: students, intellectuals, a group of Italians who, it strikes me now, may have been part of the Red Brigades, ex-soldiers, junkies, anarchists from Paris, acid heads, families, rent boys, a few professional people, older teenagers who were past the age of foster care, a former professional boxer. Of course, there were conflicts but I have never known another place where spontaneous events, friendships and romance occurred so naturally.

One evening I went for dinner at Graham’s where we ate Moroccan stew from a tagine. Another guest, Will, with bushy red hair and a Glaswegian accent, spoke passionately about the London demonstrations in 1968, the Isle of White festival and a commune he was joining in Wales. I believed at that moment that my hippy dream could still happen. It was like a huge, unmade jigsaw – and once complete the world would be magic.

By Christmas 1975 things began to change. Rumours spread of the council’s plans for a mass eviction. Some of the best people left, burglaries and vandalism increased. Someone we all knew as the candyman, who sold cannabis at a fair price, was murdered. I had seen him as a talisman. Ernie ran off with the stash fund.

I held on until mid-January. The place had become frightening. The mass eviction, supported by a small army of policemen, took place a few weeks later. I retreated to live with my mother. I decided not to go back to college for my third year at college. In autumn 1976 I squatted again in Stoke Newington, London. I went to a Squatters Union meeting in Church Street and bought a copy of The Squatters Handbook. But the battle felt too big and the councils were refusing to license short-life property, even though there was a huge amount of empty council dwellings all over London. I moved with a friend to a rented house in Reading.

In September 1978 I returned to London with my new girlfriend, Nicola, and completed my philosophy degree. We lived at Madame Lillie, a sculptor’s house in Stoke Newington. I still yearned for a collective way of living. Towards the end of 1978 we began to attend meetings of Hackney Community Housing, a short life housing organisation. From this a group of us formed Hackney Community Housing (October).

There were negotiations with the council, which wanted to change the policy of trashing properties to deter squatters and use them instead for short-term housing. After six months, five of us were given a substandard house in Shakespeare Walk, N16, at a peppercorn rent.

We received funds to restore the property. Our work was overseen by a down-to-earth architect from a community group. We learnt a lot about repairing houses. Many other people were given similar properties. Our organisation appointed a rent collector, we bought a Transit van for removals, and the council trusted us. Nicola and I stayed for two years.

And, looking back from the comfort of the Victorian house I live in now, I still yearn for the life we had then. It came closest to achieving the revolutionary’s dream of alternative living.

Hackney Community Housing was successful but it was undermined by the lack of a coherent vision. With so many fragmented perspectives – Marxist, feminist, socialist, vegan, pacifist, anarchist – we spent more time squabbling among ourselves than on remaking the world.

Politicians speak glibly of ‘Community’ without any sense of its emotional or social reality. At its best Hornsey Rise embraced differences without fuss or ideological prescription. There was a feeling of conviviality and compassion that I have not found in any other situation since.

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