Jeremy Worman

Writer, journalist, teacher

Page 11 of 16

Swimming with Diana Dors

In his first collection of short fiction, Fragmented, Jeremy Worman traced a narrative from hippy squatter in the seventies to established husband, father and lecturer reflecting on life in inner city London in the present.

In Swimming with Diana Dors he digs deeper, bringing to life memorable characters who remain with the reader. Variously personal, elegiac, political, and humorous, the stories range over themes of outsiders, loss, death, ghosts, change and the importance of place, with many stories set in London.

Several stories have been previously published in anthologies and literary magazines, including Signals-2 and Signals-3 (London Magazine Editions), The London MagazineAmbitThe Frogmore PapersPen Pusher and The Penniless Press.  ‘Terry’ was broadcast on BBC Radio Manchester.

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Meditation on a photo of the Romanovs, 1913

(Published in Understanding, November 2000)

The Tsars of Holy Russia!
How well you looked four years before your death
The girls smiling, on the boy’s head a sailor’s hat.

Standing in furs, snow hard upon the ground
And behind, a black wood tipped with ice.

Your open smiles defied the world
The private dreams, a family joke
While they waited in the woods.

How blind, to your names
dangling on Rasputin’s silver cross.

Serene you stand, arrogant no doubt, and yet
The elder sister’s hand upon Alexie’s head,
The mother’s touch upon the father’s arm.
And from the woods their burning eyes on you.

*****

Against the wall the family stood.
They fired so many bullets in your flesh
They left the shape of icons on the floor.

Stalin placed his spies in every private heart,
He made a nation of himself.

You waited as a family under earth
For over eighty years picked pure.
The icy winters gathered over you.

To St. Petersberg at last your poor and equal bones:
Do the bells across the steppes ring out
To call you home again?

Tilbury

(Published in the anthology London Rivers, Paekakariki Press, 2011)

Nowhere, Tilbury, the place,
the town square flimsy like a film set,
not a place of coming from
but arriving at, to go beyond.
Today a girl on horseback
rode in, then trotted out
into a kind of shrubland
with old shire horses, rusty
Cortina, dead plough.
here, where the East End ends
and the flat marshland
sinks to the wide Thames edge,
silver slivers of a ship’s funnels
leave England’s grubby bend
to everywhere.

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